Johannes Pramsohler puts the first version of Brandenburg Concerto No. 5 in a cosmopolitan context of travelling virtuosos To make it...

Johannes Pramsohler and Philippe Grisvard place Bach's Six sonatas for violin and obligato harpsichord in a new historical context and...

Johannes Pramsohler explores the cultural context of the first French violin concertos France was traditionally the scene of major...

Artistic director Johannes Pramsohler discusses the programme of the new Ensemble Diderot album and explores the importance of an...

History often bears surprising facts. It might seem astonishing to us today, but the most performed passion of the 18th century was...

Part 3: Weyrauch’s tablatures and a a bit about my own approach to making my own Prelude in c minor BWV 999 An autograph manuscript of...

Part 2: The Bach lute tablatures – the anonymous Leipzig manuscript A lute tablature is an instruction manual. While traditional musical...

Part 1: Xerox vs musician – do we really want to reproduce what is written on the page? (Originally, this was meant as a supplement to...